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Morocco Music Tourism

Every journey starts with a sound.

Music-led journeys across Morocco — from four days inside a festival to ten days across the imperial cities and the dunes.

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What a music tour in Morocco actually is

Morocco holds more living musical traditions than almost any country its size — Gnawa carried north across the Sahara, Andalusian nouba brought from medieval Córdoba, Amazigh ahwach in the High Atlas villages, Hassani songs at the desert’s edge, Sufi sama in the zawiyas of Fes. Most of it is still played where it came from, by people who learned it from their families rather than a conservatory.

A music tour here is not a concert schedule. Our journeys are built around time with the musicians themselves — sitting in on a lila that runs until dawn, learning the two bass patterns that hold Gnawa together, recording with a desert blues band in a studio in Ouarzazate. Some trips are timed so a festival sits at the centre of them. Others avoid festivals entirely, because the best playing often happens in a room with eight people in it.

We also run the classic Moroccan routes — the Sahara, the imperial cities, the High Atlas, the blue streets of Chefchaouen — for travellers who want the country first and the music as the thread running through it. Every journey is private or capped small, and any of them can be rebuilt around what you actually want to hear.

Planning a trip to Morocco

Seven is the number most people land on — enough for two or three regions without living in the car. Four to five works if you stay in one area; ten or more if you want the Sahara and the imperial cities in the same trip.

Both. Small groups are capped between eight and twelve, and every journey on this page can be arranged privately for you, your family or your band.

Read before you go

All stories

Guides · August 2026 · 2 min read

How to behave in a room where music is happening.

Ten small things that make the difference between being a guest and being an audience. None of them are about music.

Culture · June 2026 · 2 min read

The guembri, in five minutes.

Three strings, a camel-skin face, a body carved from one piece of wood, and a bass line that has not changed in three hundred years.

Essays · May 2026 · 2 min read

Chefchaouen after the day trippers leave.

Between four in the afternoon and ten the next morning it is a different town. On staying two nights in a place designed to be seen in five hours.